“Intricate and abstract the small fragments of the mill and spices and segments of river, and pavement combine to form startling and subtle images by correspondence, disruption or both. The work can be read on several levels. As shimmering metaphors for the last remnant of colonial links long transformed by the aeroplane and trade agreements; as a reverie on colour, shape and texture and as an opportunity to engage our sensibilities in pleasure and thought.”
Phillippa Goodall, Programming Director for Photography, Watershed, Bristol
(on Transformation)